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Review: Joanna Hogg’s ‘The Souvenir’ is a filmmaker’s exquisitely moving self-portrait

But, as Hogg reminds us, such questions of an artist’s identity and intentions are nothing new. Certainly, they were essential to her own self-discovery as a filmmaker in the early 1980s, which is precisely the period that this captivatingly intimate, quietly heartbreaking movie seeks to illuminate. Julie, smart, soft-spoken and eager for new experience, is a lightly fictionalized stand-in for her creator. And Hogg, in charting a particularly painful chapter of her heroine’s artistic and sentimental education, offers up a sharp but sympathetic self-critique.

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