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Review: Terry Gilliam’s ‘The Man Who Killed Don Quixote,’ at long last, loses its way

I have approached few recent films with the same anxious trepidation as I did “The Man Who Killed Don Quixote.” Through some 25 years in the making, through production starts and stops, rewrites, deaths, cast changes, financing hassles, bad weather — enough fodder for a 2002 documentary, “Lost in La Mancha,” on the collapse of one iteration of the movie — most filmmakers would have eventually taken the hint and moved on. But Terry Gilliam is not most filmmakers.